AES+F work at the intersection of traditional media, photography, video and digital technologies. They define their practice as a kind of "social psychoanalysis" through which they reveal and explore the values, vices and conflicts of contemporary global culture.

Robert Lazăr, alias Eurosadboy, is a self-taught multidisciplinary artist and designer based in Bucharest, Romania, with over 15 years of experience as a music producer and performer. Blending 3D rendered visuals with original music, he uses art to express emotions and create immersive digital experiences in the metaverse. His style is amorphous, a constant exploration of themes and ideas that often materialize into near-future sci-fi pieces, sometimes assorted with Eastern European nostalgia.

Pitscher works as an artist, designer, meditation teacher, barista, researcher, entrepreneur and bad influencer. The artifacts he produces deal with the constant changes we face in our transition to a technologically connected society.

Drawing on a universal iconographic and iconological repertoire represented by images and simple gestures from everyday life, Mircea Cantor develops a reflection on the historical and cultural components that shape reality and on the various semantic nuances that articulate it.

Born in Jerusalem in 1969, Sigalit Landau is an interdisciplinary artist who works with installation, video, photography and sculpture. Landau graduated from the Bezalel Academy of Art and Design in Jerusalem in 1994.

Combining traditional oil paintings with new media installations that project live images from surveillance cameras placed in different corners of the globe, Gamart's approach to the subject is not necessarily a direct one. The works allure the viewer into more than just a visual story, inviting them to decipher the emotional architecture of a complex condition, that generates a variety of feelings - from impatience and excitement to boredom and despair. In his own words, waiting is not necessarily an action, as it resembles different senses, like seeing or hearing. It is like a sixth sense connected to the future that awaits us, an imponderable state, full of emotion and tension at the same time, like in a dream where you are caught with no means of escape.

Over the last years, Gino Rubert’s work has consisted in representing experiences and emotions from a cartooned and armored way of viewing sentimental relationships: the new woman, the new man, and their functions, dysfunctions, struggles and questions. He works with disciplines such as painting, video or installation. He believes in the tradition of art which, at first sight, seduces, and afterwards, invites to meditate through artifice like trompe-l’oeil or distortion. This way, his paintings are defined by his complex technique of mixing collages of photographs and materials like cork or artificial grass with acrylic and oil paint.