Claudia Brăileanu

Her  works speak of a mechanic aesthetic, based on elements from mathematics, apparently rigid, very technical and full of 'rigid' meanings. The line, first element in any technique, becomes subject and object for image construction; the unifies two dots or two states.

Her research in painting, collage and object take as a starting point the very structure that the material makes visible, its patterns and inner rhythms. Working with ideas such as deviations, disruptions and deconstruction, the artist plays with the subject and object, uniting them in a reflection and self-reflection on dialogue and identity.